Texte paru dans: / Appeared in: |
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Appréciation d'ensemble / Overall evaluation :
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Reviewer: Claire
Jackson
The Italian composer Paolo Lorenzani (1640-1713) remains little known
outside musicological circles, largely due to his fall from favour among the
French nobility, the local commissioning glitterati of the time. Nicandro e
Fileno, premiered in 1681 at the Palace of Fontainebleau under the patronage
of Louis XIV, was one of the first Italian-language operas to be performed
in France, and was unusual for its subject matter: the plot focuses on the
lives of every day villagers, rather than the action packed adventures of
knights or Roman heroes that were popular with contemporaries. Nicandro e Fileno is of short duration, and the score – revived in the early 20th century – lacks an overture (whether lost or simply unwritten is unknown). In this, the work’s first recording, Le Nouvel Opéra and Les Boréades de Montréal opt to add some instrumental pieces from Lully’s Amadis; this padding out works surprisingly well.
Tenor Nils Brown and baritone Jean-Marc Salzmann convince as the opera’s
eponymous old friends who decide that each should marry the other’s daughter;
the women – sopranos Suzie Leblanc and Pascale Beaudin – sensibly have other
ideas, but both are in love with the village playboy. After some text book
partner-swapping, the older men realise their error and the women settle their
differences. Nicandro e Fileno is not a masterpiece – there are no
heart-stopping arias or particularly exquisite orchestration – but Le Nouvel
Opéra’s performance is enjoyable. | |
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