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Reviewer:
Charlotte Gardner
In contrast to
bringing in an orchestra around three soloists, Monica Huggett has allotted the
solo opportunities across her brilliantly varied seven-concerto-strong Concerti
Bizarri programme to the existing musicians of the Irish Baroque Orchestra, and
the subsequent performances are unfailingly superlative. This is another
programme demonstrating how German composers developed the Vivaldian style
within their own national language; but this time Vivaldi’s own double cello
concerto, RV531, serves as a useful Italian point of comparison among offerings
from Fasch, Telemann, Heinichen and Graupner. Five of the seven are
multiinstrument concertos, and all but the Vivaldi feature at least one woodwind
soloist. Keep your ears peeled in particular for the timbral magic of Graupner’s
Triple Concerto for flute d’amore, oboe d’amore and viola d’amore.
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